new month, new blog post! wow, didn’t april just sweep past way too fast. it has been a busy month, and to our pleasant surprise, we have discovered our cushion in simply scandi magazine (which i was not aware before) but it’s a wonderful publication and it inspired a new blog post series - architectural tours are all well but i feel that for a homeware brand we neglect writing about interiors so we'll be doing that a bit more often.

in the first of this series then, we’ll have a look at how you can tweak the “scandinavian style” a bit to add some colours into it and make it uniquely yours. i don’t want to dwell too much on what even defines the “scandi” style, but it is often associated with clean lines and lots of natural light. but looking at the iconic mid-century designs coming from scandinavia, i also believe that it’s a mistake to see this style as anything too white or beige, and it’s really not that far from the modernist zitozza looks (and hey, brutalism!) so yes, yes, you can absolutely incorporate colours and patterns into a scandinavian style. while the traditional scandi aesthetic tends to emphasise light, airy spaces with a focus on white, grey and natural wood tones, there are lots of room to introduce some more colourful homewares in various ways.

pops of colour

the scandi style is not about using colour throughout the entire space, but that doesn’t mean it can’t be colourful! think about it more like using accessories of vibrant or bold colours as accents. this can be achieved through colourful accessories like cushions, throws, rugs, or artwork. select a few key pieces in complementary colours to add visual interest and create focal points in the room.

pastel tones

obviously, this is one of the more associated qualities of the scandi style - just pleasant and cosy! soft, muted pastel colours can work well within a scandinavian-style interior. pale shades of blue, pink, mint, or lavender can bring a subtle hint of colour without overpowering the space. use these colours on walls, textiles, or smaller decor items to maintain a light and airy atmosphere.

natural textures and elements

scandinavians are surrounded by some fantastic nature and they do like their outdoors, i think. so another way to introduce colour is through natural elements. incorporate plants and flowers to bring vibrant greenery and pops of natural colour into the space. additionally, consider wooden furniture or accessories with warm, natural wood tones that add warmth and texture while infusing the room with earthy hues.

patterns

scandinavian design can also feature patterns with colour (do you remember early 00s ikea huh?) so yes, my favourite advice - consider using patterned textiles, such as curtains, upholstery, or rugs, that incorporate colourful geometric or nature-inspired motifs. this can inject visual interest and personality into the space while still maintaining the overall scandinavian aesthetic.

statement pieces and fabrics

yes, this can mean the jacobsen chair, or anything else you may have in that category but there are lower-budget versions for this too. introduce a bold, colourful furniture piece or artwork as a focal point in the room. this can be a vibrant rug, a sofa, an accent chair, or a large colourful painting or wall hanging. by keeping the surrounding elements more neutral, you allow the statement piece to shine and bring a lively touch to the space.

overall, i guess the key is to maintain the finely tuned balance between colour, pattern, texture but in a calm, nordic manner, with the minimalistic, clean lines typically associated with scandinavian design. select colours that harmonise with the overall palette and aim for a cohesive look throughout the space, and don’t worry about a bit of clash - remember the colourful, contemporary looks of nordic brands like marimekko or hay - all is well with a splash of colour! by strategically incorporating bolder patterns, you can infuse your scandinavian-style interior with a touch of vibrancy and personal style - and we’re here to help you with that!

SUSTAINABILITY, TEXTILE INDUSTRY, INTERIOR DESIGN

how the UK's fire safety regulations make it difficult to bring eco-conscious materials into your home

Zita Katona · November 7, 2020

first things first, i have some excellent news to share. zitozza fabrics can now be treated to domestic & contract upholstery and curtain fire safety standards, meaning it can now be used as upholstery fabric (yes, the heavyweight jute has the rub count too for general upholstery use!)

this is fantastic news and watch this space because some new products are currently planned to launch next year - and in the meantime, please do enquire about any bespoke projects, we’re here and happy to help and print for you!

now, i’m going to write a little bit more about this though because it feels that the issue of fire safety regarding eco-conscious materials is not often discussed - it’s probably because it is not the most exciting of topics, nevertheless it is very important and people in our trade must be aware of all of it anyway.

it is important, because it is estimated that in the uk, 37000 house fires happen claiming 200 lives every year. textiles in the home no doubt play a huge role in how these fires spread and the UK has one of the strictest regulations in the world in place called the furniture and furnishings (fire) (safety) regulations 1988, to make sure that all parts of furniture, filling materials and covers too should be fire resistant for domestic environments as well as contract ones. there are different standards for different environments and materials, but the bottom line is, all cover fabric, even in domestic environments, must be cigarette and match resistant as well. these are uniquely strict regulations and testing regimes that the rest of the world does not match, perhaps for good reason - the problematic chemicals required to achieve fire proof status. watch this excellent newsnight report on the topic, aired in 2017, soon after the devastating grenfell tower tragedy.

The devastating Grenfell Tower fire has prompted a complete review of fire safety regulations in tall buildings. But how fire-safe is the furniture inside Br...

there are exceptions though in these regulations: for cover fabrics consisting of over 75% natural fibre, it is enough to pass the cigarette test only, if it is used with a fire resistant interliner cloth that passes a more comprehensive fire resistance test (schedule 3.) it is quite common for cotton and linen blends to be used like this, without excessive chemical treatments. the regulations specify what they mean by “over 75% natural fibre content” - that is cotton, flax, viscose, modal, silk, or wool. not a very comprehensive list, is it? and because other natural fibres such as jute and hemp are not specified, those of us working with these fibres must treat it further to pass the more stringent match test too. luckily, zitozza jutes can be treated for these standards. the treatment does not seem to damage the print or the fabric in any way, and we’re happy to supply it for you to even contract standards.

i am however quite disappointed that in the case of jute (and hemp - probably the two most sustainable fabrics in the world), chemical use is the only route to compliance. i don’t know whether the treatment itself can be made more environmentally friendly, but at the moment it certainly does not seem to be health friendly - many of the chemicals used for such treatments have been found to disrupt hormone function and increase cancer risk. while the EU are moving towards banning many of these chemicals, in the UK the presence of chemicals in the dust remains a huge concern (and a particular worry with jute because it’s such a fibrous material.) it is argued that due to the toxicity of the fumes, these chemicals on the fabrics can actually make house fires more dangerous - the very thing they are meant to improve.

of course, i’m aware that jute in particular in its natural state is flammable. it’s a dry, woody fibre and dundee was notorious for fires starting at the jute mills. it was worse in the past because of the batching oils, but the amount used by the industry today is a lot more reduced, and i’d like to think, or at least test it to confirm, whether its behaviour would be any different from flax or certain types of cotton. these are specified in the regulations as exempt from the match test (with a schedule 3 interliner) and it disappoints me that jute and hemp are not. this makes it difficult for such sustainable textiles to enter the UK market, at a time when there is a huge pressure to make the environmental switch.

currently these regulations are so strict that even floor cushions count as furniture, therefore, while small, decorative cushion covers don’t have to be treated, for cushions over 60 x 60 cm the cover fabric must also pass. personally, i think this is overkill and while i fully trust my supplier with the safety of this treatment, i’m still being cautious with this product range because i’m worried it reduces the eco-friendly nature of these products.

it’s been a tough situation for many businesses trying to promote eco-conscious design, although i’m aware that there is a lot of research into better, less toxic treatments and i have no doubt that things will improve. i just wish the pace of these changes to be in line with the urgency of the environmental situation.

links:

FIRA flammability guides (UK domestic) (UK contract)

furniture and furnishings (fire safety) regulations 1988 (UK government)

testing & standards explained (maureen whitmore, interior designer)

house fire facts (first alert, smoke alarm company)

background briefing - flame retardants (breast cancer uk, charity)

the EU’s quest to ban toxic flame retardants (cool products, ngo)

the use of toxic flame retardants and their effects on health (question for written answer by MEPS to the european commission and their written answer)

britons and their unborn children at risk (the independent, newspaper)

why the uk fire regulations are killing eco-design (e-side, furniture business)

JUTE, TEXTILE INDUSTRY, SUSTAINABILITY, ZERO WASTE

10 reasons why jute is one of the most sustainable textile in the world (including one huge potentiaL)

Zita Katona · October 19, 2020

i have always wanted to write about this, because it is one of the main reasons i got interested in jute at all - apart from the amazing aesthetics, that sort of fibrous, raw, utilitarian, functional, “textile brute” appeal (which is worth another blog post at some other time). but right now, it’s time to talk sustainability because the textile industry is one of the worst offenders in the world when it comes to pollution and the responsibility is ours, designers, to find alternatives that are friendlier to our environment. jute is an amazing choice for this use too, and below i listed the main reasons of its sustainability benefits.

1. SMALL WATER FOOTPRINT

the jute plant grows in the tropical regions, in countries such as india, bangladesh, pakistan, thailand and southern china and it is also cultivated in many south american countries. it relies on natural rainfall, reducing the need of complicated irrigation systems and require fewer freshwater sources.

2. SMALL LAND FOOTPRINT

the jute plants grow very densely to each-other and crops are produced very efficiently, a decent crop can be cultivated on a smaller piece of land that doesn’t take a lot of space away from natural habitats or other agriculture.

3. REDUCED NEED FOR CHEMICALS

this density by which it grows leaves little space for weeds or other pests, and as such, it’s grown without a huge amount of pesticides. they also don’t need a huge amount of fertilisers either (typically less than 20 kg per hectare is applied)

4. SOIL HEALTH

growing jute plant leaves the soil with more nutrients than before the process. this is because their leaves drop often, creating organic matter that is feeding the soil with nutrients. growing jute can be used in poor quality soils to regenerate waste lands and help with food agriculture in some of the most impoverished regions in the world.

5. CARBON CAPTURE

the jute plant binds carbon dioxide faster than trees and it’s good at releasing oxygen (one hectare of jute plants can consume about 15 tons of CO2 from atmosphere and release about 11 tons of oxygen in the 100 days of the jute-growing season)

6. fast growth

jute plants reach growth in 4-6 months, meaning crops can be harvested a few times a year, this is not only highly economical, but also a sustainable pace and more in line with demand.

7. recyclable and biodegradable

while some of the jute plant is not used at the moment, all production waste is recycled and all of it is biodegradable in its natural form.

8. under-utilised potential for the paper industry

the inside fibres of the jute plants (jute sticks) are still considered waste and are recycled, however, research is ongoing into using it for paper production. it could potentially supply the paper industry with pulp, reducing the need for cutting down trees.

9. production

jute is a utilitarian, industrial fabric, usually woven to lower quality standards requiring less energy-heavy processing and a reduced amount of chemicals. most of the industry uses it in its natural, unbleached form.

10. long life-cycle

jute is a strong and durable fibre, often used for ropes, rugs, heavy duty bags and tarpaulins. it has a long life-cycle before it breaks down (and when it does, it is fully biodegradable and recyclable)

it is clear that jute is a wonderfabric which, if we could accept it being used more widely, could help our living situation on this planet. having said all of that, it is also important that we don’t brush over the inconvenient truths as well - jute is a hard fibre, and to soften it enough to make it spinnable, the industry killed a lot of whales for its oil in the last centuries. this is now replaced with other oils such as paraffin and palm oil which bear their own negative effects, however the industry is continuously working on reducing the necessary amounts of these materials. there is also research that the retting process (also used in flax and hemp production) can also be damaging to aquatic life which is yet to be resolved - unfortunately the textile industry remains an environmentally impactful one.

all in all though, when compared with other materials, jute comes out as one of the best ones. (according to the higgs index of sustainability and impact, natural jute has an overall score of 40, while, for instance, dyed cotton has an impact score 101. jute's water scarcity impact is 10 times less of cotton products.) when it comes to the responsibility of the textile industry, it is absolutely imperative that we use materials that cause the least possible harm to our living environment.

for me, jute and its industrial, raw, functional nature brings also an immense aesthetic value that fits into my design values - i think great parallels can be drawn with the raw concrete as the preferred external material and the functional architecture that is a great source of inspiration of the designs themselves - perhaps it’s worth expanding on that in another blogpost. nevertheless, i hope that in the future, we will see more and more of jute coming into the cosy, warm homes, bringing us the tactile comfort and the environmental benefits - for a more content home, inside and in the wider world too.